Group name - Hull Handbell Change Ringers

Major Methods Index

  Yorkshire Surprise Major

Yorkshire Surprise Major

Overview

About Yorkshire Surprise Major

Yorkshire is a justly popular right place Surprise Major method. Notionally it quite similar to Cambridge Surprise, in that Yorkshire Surprise Major can be described as Cambridge Surprise Major above the treble and Cambridge Surprise Minor below the treble, with 2nds place bell and its reflection, 5ths place bell, together with the treble itself forming a sort of "thick treble". Thus the structure is more complex than that of Cambridge Surprise Major.

The great advantage of Yorkshire Surprise is that it better preserves the natural coursing order below the treble. This feature makes Yorkshire significantly popular with both conductors and less experienced ringers.

Place Notation:
-38-14-58-16-12-38-14-78, 12, Bob 14, Single 1234

Yorkshire Surprise Major numbers and grid

Diagram: Yorkshire Surprise Major, Plain Lead, change-rows and grid.

The above grid has been drawn to emphasise the positioning of the yorkshire places and the related "hunting cages". A comparison with the grid for Cambridge Surprise Minor will quickly reveal the similarities.


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Appendix

Double Lines

Double Blue Lines

Yorkshire Surprise Major Double line for 1-2

Diagram: Yorkshire Surprise Major, Double line for 1-2.

Yorkshire Surprise Major Double line for 3-4

Diagram: Yorkshire Surprise Major, Double line for 3-4.

Yorkshire Surprise Major Double line for 5-6

Diagram: Yorkshire Surprise Major, Double line for 5-6.

Yorkshire Surprise Major Double line for 7-8

Diagram: Yorkshire Surprise Major, Double line for 7-8.

Double blue lines for each pair may be downloaded, viz:

The double blue lines for the working pairs plus grid, in one document:


Sections

Section by Section

The approach to Surprise Major on handbells, by Bill Jackson, and published in the Ringing World in 2007, suggests that the method can be learned by splitting the method grid down into the individual sections together with the following cross section.

Bill's article then goes on to suggest techniques for progressively assimilating the detail of the method until the ringer is sufficiently familiar to make it worthwhile meeting with others for a practice session. This is not the same as ringing by place notation. It is too easy to memorise a string of place notation elements, especially for paindromic methods, and then lose the plot trying to follow the string.

Section by section uses the uniqueness of each section to help with both memory and ringing.

The sections of Yorkshire Surprise Major are illustrated as follows:

Section 1, Treble 1-2 Up:

Yorkshire Surprise Major section 1

Section 2, Treble 3-4 Up:

Yorkshire Surprise Major section 2

Section 3, Treble 5-6 Up:

Yorkshire Surprise Major section 3

Section 4, Treble 7-8 Up:

Yorkshire Surprise Major section 4

Section 5, Treble 7-8 Down:

Yorkshire Surprise Major section 5

Section 6, Treble 5-6 Down:

Yorkshire Surprise Major section 6

Section 7, Treble 3-4 Down:

Yorkshire Surprise Major section 7

Section 8, Treble 1-2 Down:

Yorkshire Surprise Major section 8

Diagrams: Yorkshire Surprise Major, Sections 1 through 8.


Double Place Bells for Lead End 15738264

1-2, 1-6, 1-7, 1-3, 1-4, 1-8, 1-5, 1-2
3-4, 4-8, 8-5, 5-2, 2-6, 6-7, 7-3, 3-4
5-6, 2-7, 6-3, 7-4, 3-8, 4-5, 8-2, 5-6
8-7, 5-3, 2-4, 6-8, 7-5, 3-2, 4-6, 8-7


Approach

Getting going

The approach to Surprise Major on handbells, by Bill Jackson, and published in the Ringing World in 2007, suggests that the method can be learned by splitting the method grid down into the individual sections together with the following cross section.

Bill's article then goes on to suggest techniques for progressively assimilating the detail of the method until the ringer is sufficiently familiar to make it worthwhile meeting with others for a practice session. This is not the same as ringing by place notation. It is too easy to memorise a string of place notation elements, especially for paindromic methods, and then lose the plot trying to follow the string.

Getting into any new method depends on what knowledge you already have. If you are new to Surprise Major (i.e. have not rung methods at that level neither in the tower nor in hand) then study the structure of the method as it relates to the treble and use that as a way in. If you are a die-hard blue line ringer on towerbells, then perhaps look at the way the coursing order works at the lead end (like Plain Bob) and at the half lead.

Whatever your route in, do examine the way the plain lead transitions when the treble is dodging in 5-6, and 2nds place is made. In the first half of the lead the dodge in 3-4 is 2nds place bell on the way up and 7ths place bell starting 3-4 places down. In 5-6 the treble is dodging with 8ths place bell finishing places down.

Then the treble goes to 7-8 and the triple dodge starts, 5ths place bell and 2nds place bell. And the bells are in natural coursing order at the half lead with 3rds Place bell making 7ths, 2 & 5 dodging in 5-6, 7 & 4 handing over the place making in 3-4, and 6 and 8 handing over the Cambridge frontwork.

Then when the treble gets to 5-6 down, 2nds place is made again. The treble dodges with 6ths place bell who is starting places up on the way to becoming 7ths place bell. 5ths place bell dodges with the 4 (in 3-4) as it finishes places up on the way to become 8ths place bell.

With a little bit of zen-like concentration, those words play out on the bells and form the centre piece of Yorkshire Surprise Major. All you need is the skill to find the places and either a verbal memory or a visual memory.

Performance level

Just being able to see a structure is not enough to become reliable, you need a way of overcoming trips.

The development from Plain Courses to reliable ringer is personal, what works for you and what doesn't.

What is needed is context. The double place bells for all 4 pairs is one memory technique that works well, and is re-usable for Cambridge and Superlative, and all methods in that group. A visual understanding of the double lines vis a vis the treble is another context technique.

Mastery

Achieving Mastery of a Surprise Major method requires dedicated effort. If you have committed to that goal perhaps your learning could be sent through for use on this website?